Showing posts with label Schopenhauer. Show all posts
Showing posts with label Schopenhauer. Show all posts

Sunday, 25 November 2012

Modernism

This blog post concerns modernism, aesthetics, Nietzsche and Schopenhauer. The notes are a bit bare but this is only really for my understanding, hopefully you all get it!

Aesthetics: Aesthetics is a branch of philosophy which concerns art, beauty, and music - the process of making it and enjoying it. From the late 17th to the early 20th century Western aesthetics underwent change into what is often called modernism. European thinkers placed a very high profoundness on beauty as the key aspect of art and would go as far to see art as necessarily aiming at absolute beauty and art it is the closest thing we can get to absolute beauty - this idea of absolute beauty is linked heavily with the form theory.

For Hegel all art or beauty is a matter of "absolute spirit" showing itself, changing to a perfection that only philosophy can approach. Art is the first stage in which the absolute spirit is manifest immediately to perception. For Schopenhauer aesthetics is a way for people to understand what beauty is and for one to lose themselves in it, as sort of a coping mechanism to an extent - which allows people to hide from a harsh world. therefor Schopenhauer saw it one way to fight the suffering of people.

Nietzsche - Philosopher of Music: Nietzsche wanted to understand why somethings are considered beautiful and some are not: this is heavily linked again to Plato's cave and forms theory - the idea that there is a perfect woman or chair or table out there somewhere but we cannot perceive it but we do know when they are close to them. One of the most outstanding features of Nietzsche's work is his ornamental poetic language. He liked to be seen as an artist and to be judged solely on that fact. 

Man is the main balance in the universe and this balance is struck by people using their language and ideas to shape the way they live. For Nietzsche, art is not the imitation, but more of a metaphysical complement that will allows nature to become more than it is, to transcend itself and art is the highest form of human activity. From this it is understandable to say that artists are the closest people to the forms.

Furthermore, Schopenhauer, Nietzsche and Wagner believe that music is the very purest and profound form of art and aspect. This can be linked back to the aesthetics approach to why people find things beautiful and their own personal preference to what beauty is.

Schopenhauer: 
Schopenhauer's book "The world as will and representation" mentions the 'will' which, linked to his possible Hindu roots, is the Hindu God Brahma. For Schopenhauer, human desiring, "willing,"  just ends up causing suffering or pain. A temporary way to escape this pain is through art or aesthetic contemplation. Aesthetic contemplation allows one to escape this pain because it stops one perceiving the world in one way and to see it in a better light - you get lost in it.

He believes that people have to overcome desire, when you experience this - that is the will, which can be linked to the 'force' from Star Wars and denial of the Will is the only way to be perfectly and absolutely happy. The Dionysian view of being perfectly happy would be to use intoxication on yourself, just to numb the pain of a harsh world by getting drunk, taking drugs and over indulging yourself, but these will all have their own drawbacks, for one they are only temporary releases - you will sober up eventually. Contrasting with this is the Apollonian way, the "healthy" option, for example losing yourself in art or music or something that you find beautiful - this is known as a healthy intoxication.

Friday, 4 May 2012

Schopenhauer and Nietzsche - HCJ

Schopenhauer: Schopenhauer was a German philosopher and one of the great pessimists and he was known for his philosophical clarity. Schopenhauer's most influential work, The World as Will and Representation, claimed that the world is fundamentally what humans recognize in themselves as their will. His analysis of will led him to the conclusion that emotional, physical, and sexual desires can never be fully satisfied. He became a student at a University in 1809. There he studied metaphysics and he studied under a man who advised him to concentrate on Plato and Immanuel Kant, which is where he draws some of his influence from - Schopenhauer accepted Kant's double-aspect of the universe — the phenomenal (world of experience) and the noumenal (the true world, independent of experience).

Nietzsche: Friedrich Nietzsche was a German philosopher. He wrote critical texts on religion, philosophy and science. Nietzsche's influence comes notably from existentialism. His style and radical questioning of the value and objectivity of truth have resulted in much commentary and interpretation, mostly in the continental tradition. His key ideas include the death of God, perspectivism, the Ubermensch, and the will to power. Central to his philosophy is the idea of "life-affirmation", which involves an honest questioning of all ideas that drain life's expansive energies.

Nietzsche is renowned for saying that “god is dead” and that all that will follow this is violence – which in turn will lead to the end of mankind, Nietzsche also tries to find a “super-man” person. Nietzsche now shows his true pessimism about life, he says that there won’t be humans forever, so he believes that we will all die and that nothing we do matters at all, but he says this as a good thing... crazy right? In 1872 Nietzsche published his first book, The Birth of Tragedy. However, his colleagues expressed little enthusiasm for the work. He renamed his book “Hellenism and Pessimism”. Nietzsche criticises Schopenhauer and calls him a Nihilist – he believes that Christians are the worst, they merely wait for death when we have just one life, we must live it to the fullest and ensure we die with no regrets, he believes that the Ubermensch does not apologise for its actions and therefore has no regrets.

Well that’s all for now, just for my revision purposes really, plus my notes are sort of bare for these two which isn’t good! Anyway, more to come sometime soon, so...

Stay classy :) x

Sunday, 12 February 2012

The Paradigm of Change, Hegel, Kant and Schopenhaur - HCJ

Since there is a hell of a lot to go over and understand in this blog post im going to try and keep it as brief as possible so bare with me. Just a little reminder for myself – chronologically is goes Kant, Hegel and then Schopenhauer. Cool.

Paradigm: This is a connected way of thinking across all knowledge, think of it as a framework, this concept was introduced by Thomas Kuhn and according to him people are always thinking in certain paradigms and throughout history many paradigm shifts have occurred, for example people used to collectively think that the world was flat but it was discovered that the world is in fact a globe, this changed everyone’s way of thinking and is what we call a paradigm shift.

Hegel: Hegel was a historicist, this means that he believed history was always destined to follow a set course and that all things in the past and things that are still to pass all happen for one reason or another and this is linked to the idea of “God’s plan”. He calls this the Zeit Geist; this is a German term that literally translates to time ghost or spirit of time and this idea states that although something my change altogether, it is still the same thing at the heart of it, for example if you were to change the bricks of a house one by one every day the house will remain a house but will look different, the same can be said about human cells that die out and re-grow constantly.

Immanuel Kant: Kant is sometimes considered the first of the German idealists. German idealism was a philosophical movement that emerged in Germany in the late 18th and early 19th centuries. It developed out of the work of Kant, and went hand in hand with romanticism and the revolutionary politics of the Enlightenment. Hegel was hugely influential throughout the nineteenth century; by its end, according to my boy Russell, "the leading academic philosophers, both in America and Britain, were largely Hegelian"


Kant has the words “My life has been guided by two great mysteries – the starry heavens above and the moral law within” etched on his gravestone. Kant was a self-made pro and took it upon himself to directly oppose Hume and bring back metaphysics as Hume pretty much destroyed it with his logic. Kant was against Hume’s Fork idea:

Hume’s Fork = Matter of fact (can be investigated) A Posteriori, Vs.
                        Relation of ideas (things are true by definition) A Priori

Hume’s A Priori = a proposition that can’t be denied without contradiction – eg a circle is not round.
Kant’s A Priori = this is more pessimistic – if it can be figured out without experience of it but at the same time is not true by definition.

Synthetic A Priori is also scientific A Priori and so therefore we can know that arithmetic fits into this as 2+4 = 6, because we can figure it out and it relates to other things / aspects that we know to be true.

Analytic A Priori is more like geometry – eg all triangles have 3 sides. While Synthetic A Posteriori is more like oranges don’t taste like acid or whatever.

Still with me? Cause im sure not... Just two more things that I need to clarify and then we’re done! Yayyy J anyway, just two key words:

Phenomena = creation of the mind
Noumena = this is the real thing in itself, which apparently we can never know.

Hegel and the Zeit Geist: The idea of the Zeit Geist is that is must always know itself in order to avoid its ‘fall’, this fall comes about when the Geist struggles to know itself and in turn becomes alienated and this means it is no longer the same thing and has changed with time.

Hegel’s Dialectical Reasoning:
First there is a thesis (the beginning) and this comes to change through an antithesis and this in turn creates a synthesis, in Hegel’s view of history he saw:
·         Thesis = rise / fall of Greece
·         Antithesis = middle ages
·         Synthesis = reform / renaissance

Following this, the German state was in his eyes the equivalent to Ancient Greece and this cycle will continue until a utopia is reached in the end.

However, Schopenhauer and Nietzsche both disagree with Hegel saying that his view on history is far too linear; and with that the famous quote, “The Owl of Minerva does not fully spread her wings until the parting of the day” which means that we cannot fully know something without it happening first and looking back on it and studying it – as Chris hilariously said it’s like having a blacked out windshield in a car while driving and only having the rear view mirror and seeing all the bodies you’re hitting means that you should probably slow down, or stop driving altogether.

Schopenhauer: Not really much to say about this guy but he introduced the idea of existentialism which is an insane idea (pretty much). Ontology - this is what something is when it isn't being perceived: eg if a tree falls in the forest, and no-one is around to hear is, does it still make a sound... The sound should be there but it's not being perceived so can we really be sure? (is what Schopenhauer says at least). He also mentions Phenomenology and this is what something is when it is being.